Placeholder: Creepy liminalspace Max Ernst Creepy liminalspace Max Ernst

@Mabaaigen

Prompt

Creepy liminalspace Max Ernst

Light

1 year ago

Generate Similar

Explore Similar

Model

Openjourney

Guidance Scale

12

Dimensions

2048 × 2048

Similar

Alienating nothingness and distressing anguish flowers Max Ernst
Dark street creepy fog colours strong texture artistic polaroid volumetric light, Yves Tanguy René Magritte Gustav Klimt 8k 3d abstractism intricate
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants, and architecture.[4] The imagery on the surrealist canvas has been described as a primordial-like landscape, "in which rock-hard and gelatinous formations coexist under a forbidding sky."[1] The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled baroque palace.
Alienation and distressing anguish figure defined broken frame Max Ernst
Nothingness horrible scene opens before the eyes Max Ernst
An emaciated figure prowls in a dark room Max Ernst
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Rise of consciousness from earth Max Ernst
Rise of consciousness from earth Max Ernst
Hyperrealistic melting horror, high resolution, very detailed, volumetric light, fine art textured oil over canvas, very colorful, ornate, Max Ernst
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
An emaciated figure prowls in a dark room Max Ernst

© 2024 Stablecog, Inc.