Placeholder: Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy

@Mabaaigen

Prompt

Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy

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9 months ago

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Model

Openjourney

Guidance Scale

17

Dimensions

512 × 512

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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
A wasteland, clouds, polaroid, noon light, Max Ernst, Yves Tanguy, Audubon, 8k, 3d, 33mm photography, bright colours, sharp focus, spindle-shaped objects
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A wasteland, clouds, polaroid, noon light, Max Ernst, Yves Tanguy, Audubon, 8k, 3d, 33mm photography, bright colours, sharp focus
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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants, and architecture.[4] The imagery on the surrealist canvas has been described as a primordial-like landscape, "in which rock-hard and gelatinous formations coexist under a forbidding sky."[1] The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled baroque palace.
A wasteland, clouds, polaroid, noon light, Max Ernst, Yves Tanguy, Audubon, 8k, 3d, 33mm photography, bright colours, sharp focus, spindle-shaped objects
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A wasteland, clouds, polaroid, noon light, Max Ernst, Yves Tanguy, Audubon, 8k, 3d, 33mm photography, bright colours, sharp focus, odd spindle-shaped objects

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