Placeholder: Double exposures:: The yin yang symbol by Andreas Lie and Dan Mountford; Japanese Bonsai Garden in a vision of a clock face; by Bojan Jevtic, by Victo Ngai; Splash art, intricate detailed, double exposure photo layering, hyperdetailed, watercolor and ink, loose brushstrokes, dramatic, reflective, moody, beautiful

Double exposures:: The yin yang symbol by Andreas Lie and Dan Mountford; Japanese Bonsai Garden in a vision of a clock face; by Bojan Jevtic, by Victo Ngai; Splash art, intricate detailed, double exposure photo layering, hyperdetailed, watercolor and ink, loose brushstrokes, dramatic, reflective, moody, beautiful

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Double exposures:: The yin yang symbol by Andreas Lie and Dan Mountford; Japanese Bonsai Garden in a vision of a clock face; by Bojan Jevtic, by Victo Ngai; Splash art, intricate detailed, double exposure photo layering, hyperdetailed, watercolor and ink, loose brushstrokes, dramatic, reflective, moody, beautiful

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Double exposures:: yin yang symbol by Andreas Lie and Dan Mountford; illusion of time in a clock face vision; by Bojan Jevtic, by Victo Ngai; Splash art, intricate detailed, double exposure photo layering, roman numerals, hyperdetailed, watercolor and ink, loose brushstrokes, dramatic, reflective, moody, beautiful

You are caught in your own dreaming where there is no space and are held forever where there is no time; Neo-surrealism

Artificial Synesthesia, double exposure in a Eyeball effect, by Andreas Lie, black and white silhouette in the vision, noir imagery transparent photo layering, midnight malignancy visions, by Russ Mills, by Esau Andrews; ethereal horror hyperdetailed mist Thomas Kinkade, 8k resolution, holographic cosmic illustration mixed media by Artgerm

gnostic osmosis, abstract surrealism, by Graham Sutherland and Victor Pasmore and Dave McKean, mind-bending illustration; album cover art, asymmetric, Braille code characters, UV x-ray warm colors,

Double exposures:: yin yang symbol by Andreas Lie and Dan Mountford; vision of a clock face; by Bojan Jevtic, by Victo Ngai; Splash art, intricate detailed, double exposure photo layering, roman numerals, hyperdetailed, watercolor and ink, loose brushstrokes, dramatic, reflective, moody, beautiful

If an immortal man drew a picture of time, style Igor Morski, weirdcore expansive art, inventive ambitious creation, clear and bright colors, matte oil painting, clever artistic rendering.

Japanese misty fishing junk, multi-tiered landscape on a sliding multi-panel bamboo canvas, abstract surrealism, by Graham Sutherland and Colin McCahon and Gabriel Pacheco, silkscreened mind-bending illustration; asymmetric, warm colors, dark side, by andy Kehoe, color splash

Black-Scholes model of amortization and accretion, clock, asymmetry, neo surrealism, by Wes Benscoter, liquid matte oil paint

Double exposures:: yin yang symbol clock face by Andreas Lie and Dan Mountford; Japanese Bonsai Garden in a vision of a clock; by Bojan Jevtic, by Victo Ngai; Splash art, intricate detailed, double exposure photo layering, roman numerals, hyperdetailed, watercolor and ink, loose brushstrokes, dramatic, reflective, moody, beautiful

Melancholy a hunger that never satisfies, by Dave McKean, inspired by the nightmare paintings of Zdzislaw Beksinski, by Wassily Kandinsky, gnostic tragedy, sinister glitchy illustration

Dramatic nighttime haunted Japanese pagoda on the banks of a red lake bathed in fog, astral ghosts menacing the sky, haunted undetailed gaunt figures on the porch, by Victo Ngai, by Stephen Grammell, by Russ Mills, professional watercolor with dripping paint diffusion, dark colors, sinister haunted house horror art, surreal, expansive.

Absurd and horrific, clock hands replaced by a marching army, rule of thirds, by Yves Tanguy, by Oskar Fischinger, asymmetric surrealism, volumetric lighting, existential dread, colorful, dark colors, sharp focus, by Zdzislaw Beksinski,

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