Placeholder: Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon

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Prompt

Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon

face, cels

3 months ago

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Model

Kandinsky 2.2

Guidance Scale

7

Dimensions

1024 × 1024

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Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
Macabre Rapture End of days Revelation scene, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Santiago Caruso and Victor Pasmore, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, opulent shadows
End of days Revelation scene ripples of memories, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Dave McKean and Victor Pasmore, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, stippling and frenetic ink techniques
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and VS Gaitonde, diagonal composition, unbalanced, surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon
Macabre Rapture End of days Revelation scene, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Santiago Caruso and Colin McCahon, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, opulent shadows
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and VS Gaitonde, diagonal composition, unbalanced, surreal horror, warm colors, creepy eldritch aesthetic, creepy, eerie, scary warm colors, opulent shadows, pointillism, stippling effect, by Colin McCahon
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Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By Blek de rat and Zdzislaw Beksinski and VS Gaitonde, diagonal composition, unbalanced, surreal horror, warm colors, creepy eldritch aesthetic, creepy, eerie, scary warm colors, opulent shadows, pointillism, stippling effect, by Colin McCahon
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Style by Graham Sutherland and Santiago Caruso, surreal horror art, nightmare residues of dark shine, orange and yellow hues, abstract shy unnatural paradox weirdlings, unsettling, asymmetric abstractions, juxtaposition of the uncanny and banal, diagonal composition, sharp focus, smooth, never seen before art from beyond
Reaper on the oilfields, mirage in black smoke tarnished with blood, Idols of steam and gods of steel. by Zdzislaw beksinski, western American horror,
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