Placeholder: Scary stories of the absurdist interview, intimidating magister's looming behind interviewer desk, fish eye lens up shot, Dariusz Klimczak and Salvador Dali and Gerald Scarfe deliver a sinister surreal masterpiece, warm hues, warm color, weird, creepy, sharp focus, asymmetric, claustrophobic Scary stories of the absurdist interview, intimidating magister's looming behind interviewer desk, fish eye lens up shot, Dariusz Klimczak and Salvador Dali and Gerald Scarfe deliver a sinister surreal masterpiece, warm hues, warm color, weird, creepy, sharp focus, asymmetric, claustrophobic

Back to Profile

@HorrorAuC

Prompt

Scary stories of the absurdist interview, intimidating magister's looming behind interviewer desk, fish eye lens up shot, Dariusz Klimczak and Salvador Dali and Gerald Scarfe deliver a sinister surreal masterpiece, warm hues, warm color, weird, creepy, sharp focus, asymmetric, claustrophobic

blurry, bad composition, person in foreground, face

9 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Scary stories of the infinite interview, intimidating magister's looming behind interviewer desk, fish eye lens up shot, Ralph Steadman and Gerald Scarfe deliver a surreal masterpiece, dramatic warm hues, sinister, creepy, sharp focus, claustrophobic
evil undead peaching preacher at intimidating pulpit, by John Jude Palencar and Michael Whelan and Stephen Gammell, horror art, alcohol oil painting, expansive, dark colors, vivid Lovecraftian preacher juxtaposed against an enveloping black tentacle rich nightmare, palpable textures, distressing hues, Whelan's distinctive visceral style, rich sharp color, modern horror
Hieronymus Bosch Bogomil Cryptid Taxidermy, plague of nightmares, 'Scary stories to tell in the Dark' style. by Stephen Gammell and Amanda Beardsley and David Welker, creepy, eerie, scary colors, Eldritch atmosphere, opulent shadows, by Denis Forkas, creepy, weird
the chaos of democratic politics Kafkaesque paradoxes, sharp primary colors, Martin Rowson and Ralph Steadman unleash a captivating illustration, a surreal aura dominating the canvas, vivid gestalt shapes piercing through enveloping darkness brilliantly grounded against the backdrop of an elusive dreamscape, palpable textures, distressing hues, Steadman's distinctive visceral style, detailed line work, opulent shadows, menacing illusions,
Puppet Rapture, debauched and libertine scene from the book of Revelations, alpha and omega symbolism, surreal horror, warm colors, creepy eldritch aesthetic. dynamic diagonal composition, unbalanced, By Bill Jacklin, color ink illustration, creepy, eerie, scary colors, opulent shadows, expressionism oil painting
Delivering a eulogy to madness, by Seb McKinnon, surreal horror
evil undead peaching preacher at intimidating pulpit, by Michael Whelan and Stephen Gammell, horror art, matte oil painting, expansive, dark colors, vivid Lovecraftian preacher juxtaposed against an enveloping black tentacle rich nightmare, palpable textures, distressing hues, Whelan's distinctive visceral style, rich sharp color, modern horror
Mein Gehirn zum Kerker wird Ein kleiner Stich hat mich gelähmt, Der Schrei in mir unhörbar schweigt Und doch es wird., by Gerald Scarfe, by Dave McKean, by Dariusz Klimczak, asymmetric surrealism, sharp focus, nightmarish, dreamy colors,
frigid melancholy grants us full possession of ourselves. We may hide from horror only in the heart of horror., asymmetry maximalist surrealist poster art, by William Stout, by Gerald Scarfe, by Dali, liquid matte paint, dark foreboding colors
Scary stories of the infinite interview, intimidating magister behind desk, Joan Miro and Stephen Gammell and Gerald Scarfe deliver a sinister surreal masterpiece, warm hues, dark_cyan and pink color scheme, sinister, creepy, expansive, sharp focus, dark shines, asymmetric, abstract
44 Dark shines war, Socratic method in the gnostic tradition, horror surrealism, by Brian Bolland, style by Dali, expansive, maximal, smooth, nightmarish, brilliant dark colors, infernal elements lurking underneath the composition, ink illustration, Bolland's visceral style, saturated primary colors.
As many masters as there are vices, by Dave McKean and Gabriel Pacheco and Zdzislaw Beksinski, abstract, surreal, fantastical, macabre
Terms of Service • Privacy Policy

© 2024 Stablecog, Inc.