Placeholder: to the hammer everything looks like a nail, Kafkaesque composition, sharp primary colors, by Martin Rowson and Ralph Steadman and Gerald Scarfe, unleash a captivating illustration, a surreal aura dominating the canvas, menacing hammers bashing through a brilliantly evocative dreamscape, palpable textures, Steadman's distinctive style, detailed line work, surrealism. to the hammer everything looks like a nail, Kafkaesque composition, sharp primary colors, by Martin Rowson and Ralph Steadman and Gerald Scarfe, unleash a captivating illustration, a surreal aura dominating the canvas, menacing hammers bashing through a brilliantly evocative dreamscape, palpable textures, Steadman's distinctive style, detailed line work, surrealism.

@HorrorAuC

Prompt

to the hammer everything looks like a nail, Kafkaesque composition, sharp primary colors, by Martin Rowson and Ralph Steadman and Gerald Scarfe, unleash a captivating illustration, a surreal aura dominating the canvas, menacing hammers bashing through a brilliantly evocative dreamscape, palpable textures, Steadman's distinctive style, detailed line work, surrealism.

uncentered, blurry, bad composition,

1 year ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Media saturation, crash course in propaganda, concept art, asymmetric neo-surrealism, by Ralph Steadman, by Martin Rowson, color ink illustration, rich complimentary colors, abstract, weirdcore
The look of terminal shock in your eyes things are really what they seem this is no bad dream, by Gerald Scarfe, by Jim Burns, by Emek, surreal mind-bending illustration, heavy dreamy colors, Pink Floyd aesthetics, cosmic drama, trippy album cover
Enhanced surrealism, nightmare habits of demons, unregulated absurdity, by Desmond Morris and Max Ernst, mind-bending surreal double exposure image, weirdcore, classic surreal elements, by Victor Pasamore, oil matte painting
antics grow strange in a dream of cunning annihilations, damaged thoughts of a crooked creaking mistake looking at itself, by Gerald Scarfe, by Yves Tanguy, by Zdzislaw Beksinski, asymmetric surrealism, nightmarish, dreamy colors, existential dread of Bekinski, uncanny machinations of Scarfe, Tanguy's non-sequitors, oh how he made them roll
to the hammer everything looks like a nail, Kafkaesque composition, sharp primary colors, by Martin Rowson and Ralph Steadman unleash a captivating illustration, a surreal aura dominating the canvas, menacing hammers piercing through a brilliantly evocative dreamscape, palpable textures, Steadman's distinctive style, detailed line work, surrealism.
Treacle flea worms in a dark shines war, neo surrealism, by Salvador Dali, by Gerald Scarfe, by Tomasz Setowski, stylish, vivid colors, asymmetric, expansive, surreal, Socratic method, melting acrylics, album art, horizontal gravity
Strychnine Lovecraftian tadpole biomechanism, abstract surrealism, by Dave McKean and Zdzislaw Beksinski and Kay Neilsen, macabre mind-bending watercolor and ink illustration; warm colors, off-centered fragmented composition, dark shines war, acid burn colors
learning how to roll, frolicky colicky horror, by Gerald Scarfe, by Yves Tanguy, by Zdzislaw Beksinski, asymmetric surrealism, nightmarish, dreamy colors, draping existential dread of Beksinski, uncanny creatures of Scarfe, Tanguy's geometric non-sequiturs, composition of interrupted awkward suddenly incomplete
antics grow strange in a dream of cunning annihilations, damaged thoughts of a crooked creaking mistake, by Gerald Scarfe, by Yves Tanguy, by Zdzislaw Beksinski, asymmetric surrealism, nightmarish, dreamy colors, existential dread, uncanny, oh how he made them roll
the stranger who disrupted the nursery, by Yves Tanguy, by Grant Morrison, by Dave McKean, weird, surreal, color ink illustration, dark colors,
antics grow strange in a dream of cunning annihilations, damaged thoughts of a crooked creaking mistake looking at itself, by Gerald Scarfe, by Yves Tanguy, by Zdzislaw Beksinski, asymmetric surrealism, nightmarish, dreamy colors, existential dread of Bekinski, uncanny machinations of Scarfe, Tanguy's non-sequitors, oh how he made them roll, interrupted images, awkward seques
enhanced surrealism, malignantly useless strange times in need, bio-contrivances, absurd, by Otto Rapp and Desmond Morris and Joan Miro, mind-bending abstract surreal image, weirdling surrealist structures, too many legs, too many eyes, transparent glass torso, impossible anatomy, shifting landscape

© 2024 Stablecog, Inc.