Placeholder: Twas brillig and the slithy toves Did gyre and gimble in the wabe, All mimsy were the borogoves and the mome raths outgrabe!, by Lewis Carroll, cinematic lighting, surrealism, by Otto Rapp, by Dali, by John Tenniel, matte oil painting, warm colors, artsy lines and strange diagonals. Twas brillig and the slithy toves Did gyre and gimble in the wabe, All mimsy were the borogoves and the mome raths outgrabe!, by Lewis Carroll, cinematic lighting, surrealism, by Otto Rapp, by Dali, by John Tenniel, matte oil painting, warm colors, artsy lines and strange diagonals.

Back to Profile

@HorrorAuC

Prompt

Twas brillig and the slithy toves Did gyre and gimble in the wabe, All mimsy were the borogoves and the mome raths outgrabe!, by Lewis Carroll, cinematic lighting, surrealism, by Otto Rapp, by Dali, by John Tenniel, matte oil painting, warm colors, artsy lines and strange diagonals.

blurry, people, misspelling

2 years ago

Generate Similar

Explore Similar

Model

SDXL

Guidance Scale

8

Dimensions

1024 × 1024

Similar

Artificial 🤖🤖🤖 Serendipity ., artwork by Esao Andrews, Zdzislaw Beksinski, Gerald Scarfe, Lisa Frank , Rough Neon , bioluminescent, sinister, fresh, omniscient, creepy, Grand, professional, high quality, hyperdetailed
in style of Daniel Merriam, mongolian death worms, writhing, sinister, mortal pangs of scenic solitude, dreamscape, surreal
rich pastel colors, vibrating in nightmare frequencies, Lovecraftian Koans and the arrival of an eastern menace, impressionism, impression oil painitng, by Zdzislaw Beksinski and Gabriel Pacheco, creepy, eerie, scary colors, opulent shadows, diagonal composition
Their razor-sharp tongues invite to relax As they slip the skin of your eyelids back Invasive spectators get into the act, neo-surrealism, complementary vibrant colors, art from beyond, by Stanley Mouse.
abstract neo surrealism, Style by Arthur Secunda and Oskar Fischinger and Zdzislaw Beksinski, weird hybrid horns in wrong places - multiple large eyes - forked tail, fuzzy texture, masterpiece, absurd death eel, smooth,
Bright colors, lovecraftian nightmare contrivance, by Zdzislaw Beksinski, by Andy Kehoe and Max Ernst and Squeak Carnwath, surreal and abstract, dynamic diagonal composition, sinister, rich pastel colors, expansive, grand, impossible magnificence, octane render, opulent weirdness, Glory to the Grotesque, symbolism, rule of thirds
Enhanced surrealism, nightmare habits of demons, unregulated absurdity, by Desmond Morris and Max Ernst, mind-bending surreal double exposure image, weirdcore, classic surreal elements, by Victor Pasamore, oil matte painting
Style by Desmond Morris and Oskar Fischinger and Zdzislaw Beksinski, weird hybrid horns in wrong places - multiple large eyes - forked tail, fuzzy texture, masterpiece, absurd death eel, smooth, neo surrealism,
Impressionism, Vast right-wing Mannequin Dystopia, Lovecraftian language of madness, puppet strings grow taut, warm colors, creepy eldritch aesthetic. By Helen Cottle, by Zdzislaw Beksinski and anton Semenov, color ink illustration, creepy, eerie, scary colors, opulent shadows, impressionism oil painting, symbolic art, by Colon McCahon
in style of Daniel Merriam, mongolian death worms, writhing, sinister, mortal pangs of scenic solitude, dreamscape, surreal
Bright colors, lovecraftian nightmare contrivance, by Zdzislaw Beksinski, by Andy Kehoe and Max Ernst and Squeak Carnwath, surreal and abstract, dynamic diagonal composition, sinister, rich pastel colors, expansive, grand, impossible magnificence, octane render, opulent weirdness, Glory to the Grotesque, symbolism, rule of thirds
Gnostic embalming tragedy of the commons, biomorphic dysmorphology nightmare, by Patricia Piccinini and Wassily Kandinsky and Zdzislaw Beksinski, surreal horror, genetic abrogation, oil painting with surreal motifs
Terms of Service • Privacy Policy

© 2025 Stablecog, Inc.