Placeholder: Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon

@HorrorAuC

Prompt

Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon

face, cels

5 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Image Strength

0.2

Dimensions

1024 × 1024

Similar

Nightmare frequencies, the undead dream screamers, Lovecraftian blind mystics, surreal horror, by Stephen Gammell and Kay Nielsen, by Zdzislaw Beksinski, by Denis Forkas, dark_green hues and yellow tints, uncentered, tilted, dynamic diagonal composition, eerie, sinister, dark colors, expansive, grand, creepily magnificent, octane render, Grotesque eyeless wonders, by Tracy Adams
Strychnine totem, abstract surrealism, by Phlegm and Dave McKean, silkscreened mind-bending illustration; warm colors, off-centered fragmented composition, multiple stages of grief, dark shines war,
Neon legacy of nyctophobic poltergeists, abstract surreal horror, by Dave McKean and colin McCahon and Zdzislaw Beksinski, acid wash mind-bending illustration, dark shine burn, anatomical schematic cutaway guided by N(t)=N0​⋅e−kt,
Abominations filled with desolation, stepping on faces of the frail, abstract surreal art, by Jim Dine and Arthur Secunda and H.R. Giger, mind-bending illustration; warm colors, diagonal composition, horror poster art, asymmetric, Morse code dot and dash vertical texture, dark shines extinction level event, by Christopher Shy
Heavy Metal Album Cover, mingling mephitic deities, intestinal biomechanical tangles, Lovecraftian nightmare, pastel colors, biomechanical eldritch aesthetic. By Zdzislaw Beksinski, by Stephen Gammell, by Kay Nielsen, by Anton Semenov, color ink illustration, creepy, eerie, scary colors, octane render, opulent shadows, by Victor Pasmore
make three separate asymmetric different sized cel panels; Three Body Problem Edge of Desperation, creepy, style of Wassily Kandinsky and Stephen Gammell and Kay Neilsen, divorced from reality, ink illustration, dark shine edge, abstract and surreal, metaphorical, sinister
Puppet Rapture, debauched on Revelation, ethereal puppet apotheosis, puppet string hooks impaling, surreal horror, warm colors, creepy eldritch aesthetic. By Dan Mahurin, by Zdzislaw Beksinski and Stephen Gammell and Kay Nielsen, color ink illustration, creepy, eerie, scary warm colors, opulent shadows, by George Grosz and Gustav Dore, expressionism oil painting, diffusion
"Data Vivisection", otherworldly language glyphs art, abstract surreal sci-fi, first contact, by Wilfredo lam and Tomasz Setowski and H.R. Giger, silkscreened mind-bending illustration; dramatic sci-fi poster art, rich spacy primary colors, asymmetric, vertical braille code dots dashes, artistic futurism
neon pastel colors and hues, Lovecraftian metaphorical collective fear of being alone, eldritch, dramatic Ink illustration by Stephen Gammell and Dan Mahurin and Graham Sutherland, heavily inspired by the unsettling symbolism of Bosch, flourishes of Amanda Beardsley, pastel colors and hues, weird, diagonal composition, uncentered, elegant macabre death frequencies, moody, wonderfully grotesque
by Gerald Scarfe and Zdzislaw Beksinski, oddball daydream, fear is all you know, eclipses were made to be broken, phobia, abstract surrealism, moody, sinister, profound, dramatic, high resolution, creepy, pen and ink illustration, horror, by H.R Giger
Text "THE POETIC EDDA", gathered to witness the ending of times - Brought to life by gods of deceit and lies, artsy death-metal album art, HD, surreal horror art, nightmarish, dynamic composition, dark color burn, based on the imagery of Zdzislaw Beksinski
Holy Matricide, Killing the mother of light: a sacrificial rite, Queen nex felled by the carrion sword, dark fantasy illustration, by Frank Frazetta and Anton Semenov and Jack Gaughan, sword and sorcery aesthetic, dramatic, dynamic composition, gothic, Lovecraftian, sinister, macabre

© 2024 Stablecog, Inc.