Placeholder: : ̗̀➛˚₊· ͟͟͞͞➳❥, corrupt my tongue with sacrilege, by Yves Tanguy, H.R. Giger, stephen Gammell, surreal, emotionally disturbing, struggling inanimate objects try to rip themselves from the ground yearning for death, sinister yet playful, dark vibrant colors, colorful, macabre masterpiece that Francisco Goya would be proud of. : ̗̀➛˚₊· ͟͟͞͞➳❥, corrupt my tongue with sacrilege, by Yves Tanguy, H.R. Giger, stephen Gammell, surreal, emotionally disturbing, struggling inanimate objects try to rip themselves from the ground yearning for death, sinister yet playful, dark vibrant colors, colorful, macabre masterpiece that Francisco Goya would be proud of.

@HorrorAuC

Prompt

: ̗̀➛˚₊· ͟͟͞͞➳❥, corrupt my tongue with sacrilege, by Yves Tanguy, H.R. Giger, stephen Gammell, surreal, emotionally disturbing, struggling inanimate objects try to rip themselves from the ground yearning for death, sinister yet playful, dark vibrant colors, colorful, macabre masterpiece that Francisco Goya would be proud of.

nudity, people, humans, women, blurry, bad composition

1 year ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

8

Dimensions

4096 × 4096

Similar

Color oil painting by Stephen Gammell and Kay Nielsen, heavily inspired by the unsettling symbolism of Johfra Bosschart, flourishes of Santiago Caruso, expansive surreal horror art depicting a doomsday lottery ritual by the furies, nightmare sympathies, deep colors, cinnamon tints, macabre, moody, by Victor Pasmore, expressionism
by Michael Whelan and Zdzislaw Beksinski and Stephen Gammell, lovecraftian eruption in Washington DC, lovecraftian entity curls around the Washington monument towering even higher than the monolith, nightmarish images pour out of its mouth blanketing the sky with a miasma of bad dreams, fantastical digital art, dramatic, Eldritch, hyperdetailed, dark colors.
Anton Semenov and Gerald Scarfe and Alexander Jansson, surreal nightmare-scape, Leaving the Machine, machine shaped like a horrifying bone furnace, Pink Floyd Album art, color ink illustration, sharp focus, surreal concept art, by Zdzislaw Beksinski
Bright colors, lovecraftian nightmare contrivance, by Zdzislaw Beksinski, by Gerald Scarfe, and Max Ernst and Squeak Carnwath, surreal and abstract, dynamic diagonal composition, sinister, rich pastel colors, expansive, grand, impossible magnificence, octane render, opulent weirdness, Glory to the Grotesque, symbolism
Cathedral of the boll Weevil, treacheries of an aging bladder, bespoiled mealworm, by stephen Gammell, by Michael Whelan, by Yves Tanguy, surreal horror, emotionally disturbing, sinister yet playful, vibrant colors, high contrast, Whelan's distinctive visceral horror style and detailed line work.
Cathedral of the boll Weevil, treacheries of an aging bladder, disasters. by stephen Gammell, by Michael Whelan, by Kay Sage, surreal horror, emotionally disturbing, sinister yet playful, vibrant colors, high contrast, Whelan's distinctive visceral horror style and detailed line work.
learning how to roll, frolicky colicky horror, by Gerald Scarfe, by Yves Tanguy, by Zdzislaw Beksinski, asymmetric surrealism, nightmarish, dreamy colors, draping existential dread of Beksinski, uncanny creatures of Scarfe, Tanguy's geometric non-sequiturs, composition of interrupted images and awkward suddenly incomplete segments
Melancholy: an appetite no misery satisfies, neo surrealism, by Tomasz Setowski.
Straggle of mist-covered locks, great ebony key folded into itself and driven underground, reflective non-sequiturs, Neosurrealism, by Dave McKean, by Tomasz Setowski, by Dariusz Klimczak, stylish, vivid colors, asymmetric landscape, expansive, surreal, Socratic method, melting acrylics, album art, horror
UPSIDE-DOWN world, reversed vertical, Gris Grimly and Magritte deliver a dark surreal masterpiece, muted colors, sinister, creepy, sharp focus, dark shines, upside-down, reversed vertical composition, upside-down picture
Lovecraftian Bosch Bogomil Cryptids, plague of nightmares, 'Scary stories to tell in the Dark' style. by Stephen Gammell, by Kay Nielsen, by Tomasz Setowski, creepy, eerie, scary colors, 3d octane render, opulent shadows, by Denis Forkas, creepy, weird
Churning lying machine that paradoxically doesn't yet exist || neo surrealism, double exposure, horror movie poster art, hyperdetailed, dramatic lighting, rich colors, sinister dreamscape, by Zdzislaw Beksinski, by Drew Struzan, by Gerald Scarfe,.

© 2024 Stablecog, Inc.