Placeholder: Gothic Ghouls || surrealism :: magic realism :: in the styles of Ian Miller and Sidney Sime and Harry Clarke :: stipple shading :: alcohol ink :: gothic colors :: cinematic :: sharp focus :: highest resolution :: epic masterpiece, dark neon shine, atmosphere guided by N(t)=N0​⋅e−kt Gothic Ghouls || surrealism :: magic realism :: in the styles of Ian Miller and Sidney Sime and Harry Clarke :: stipple shading :: alcohol ink :: gothic colors :: cinematic :: sharp focus :: highest resolution :: epic masterpiece, dark neon shine, atmosphere guided by N(t)=N0​⋅e−kt

@HorrorAuC

Prompt

Gothic Ghouls || surrealism :: magic realism :: in the styles of Ian Miller and Sidney Sime and Harry Clarke :: stipple shading :: alcohol ink :: gothic colors :: cinematic :: sharp focus :: highest resolution :: epic masterpiece, dark neon shine, atmosphere guided by N(t)=N0​⋅e−kt

text, writing,

7 months ago

Generate Similar

Explore Similar

Model

Kandinsky 2.2

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Lovecraftian horror, malignantly useless milky methadone visions, never-before-seen dreamscape, violent colors, creepy eldritch aesthetic. By John Stephens, by Zdzislaw Beksinski and Johfra Bosschart, watercolor and ink illustration, creepy, eerie, grand, by Rex Ray, dynamic diagonal composition, complex contrast, dramatic, expansive, many abstract symbols, inkwash effect
homage to claustrophobia, by Zdzislaw Beksinski, surreal horror
Eerie horror dark, less than zero, seance visitor Pazuzu, by Aaron Campbell and Matt Hollingsworth, acid wash mind-bending illustration; asymmetric, dark shines war, sinister
fantastical gothic aesthetic, frightening, Two Carrion Talismans, festered in a septic void, moody, profound, lovecraftian, visceral, avant-garde heavy metal album cover
text "VOIVOD" Album cover for text "THE OUTER LIMITS", by Tomi Ungerer and J.P. Targete, abstract surreal composition, technically perfect smooth, silkscreened mind-bending illustration, dramatic album art, muted colors, minimalism
festered in a septic void, for I am entropy incarnate And I will haunt the face of time,
Lovecraftian masterpiece by Zdzislaw Beksinski, subway tunnel filled by a Shoggoth a shapeless congeries of protoplasmic bubbles faintly self-luminous with myriads of temporary eyes forming and un-forming as pustules of greenish light, Eldritch masterpiece, horror movie poster, sinister, concept art, oddball masterpiece, complex contrast, dynamic composition, rule of thirds
God Deraigned by the Big Bang, Lovecraftian nightmares, 'Scary stories to tell in the dark' aesthetic. by Stephen Gammell, by Kay Nielsen, color ink illustration, cool colors, creepy, eerie, scary colors, 3d octane render, opulent shadows, dynamic diagonal composition, by Dan Mahurin and Victoria Crowe, zombiecore, smooth, ultra focused,
Text "THE POETIC EDDA", gathered to witness the ending of times - Brought to life by gods of deceit and lies, artsy death-metal album art, HD, Style by Phlegm and Ray Johnson, surreal horror art, nightmarish, dynamic composition, dark color burn, based on the imagery of Zdzislaw Beksinski
witnessed Weakness, distraught lies that's all you ever preach - Sickness falter pain, Faceless insecure, horror surrealism, hyperdetailed, maximalist, by Jim Woodring and Zdzislaw Beksinski and Aeron Alfrey and Patrick Woodroffe, text "ANGELMAKER", tribute metal album art, expressionism, symbolic art, warm red colors, dynamic angles, complimentary colors, sharp contrast, by Graham Sutherland and Russ Mills
text "VOIVOD" Album cover for text "THE OUTER LIMITS", by Tomi Ungerer and J.P. Targete, abstract surreal composition, technically perfect smooth, silkscreened mind-bending illustration, dramatic album art, muted colors,
Eerie horror dark, less than zero, seance conjuring Pazuzu, by Aaron Campbell, acid wash mind-bending illustration; asymmetric, dark shines war, sinister

© 2024 Stablecog, Inc.