Placeholder: occult transience, AS THE SUN STAINS THE SKY in shaky brush strokes, glitchy grainy oil painting, Lovecraftian metaphoric Antarctic scientists with legs growing out of split head, failing the reality test, surreal, minimalism, moody, sinister, profound, fantastical, by VS Gaitonde occult transience, AS THE SUN STAINS THE SKY in shaky brush strokes, glitchy grainy oil painting, Lovecraftian metaphoric Antarctic scientists with legs growing out of split head, failing the reality test, surreal, minimalism, moody, sinister, profound, fantastical, by VS Gaitonde

@HorrorAuC

Prompt

occult transience, AS THE SUN STAINS THE SKY in shaky brush strokes, glitchy grainy oil painting, Lovecraftian metaphoric Antarctic scientists with legs growing out of split head, failing the reality test, surreal, minimalism, moody, sinister, profound, fantastical, by VS Gaitonde

3 months ago

Generate Similar

Explore Similar

Model

Stable Diffusion 3

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Scary stories of the infinite interview, intimidating magister, Joan Miro and Stephen Gammell and Yves Tanguy deliver a sinister surreal masterpiece, icy hues, dark_cyan and pink color scheme, sinister, creepy, expansive, sharp focus, dark shines, asymmetric, abstract
Abominations filled with desolation, stepping on faces of the frail, abstract surreal art, by Jim Dine and Arthur Secunda and H.R. Giger, mind-bending illustration; warm colors, diagonal composition, horror poster art, asymmetric, Morse code dot and dash vertical texture, dark shines extinction level event, by Christopher Shy
Dramatic vintage matte oil painting, frighteningly creepy, ITS STRANGE FORCED TO ASSUME AN UNSYMPATHETIC VIEW THROUGH BORRORWED EYES, high shock value, artistic, oddball masterpiece, sfumato, dark humor, eerie, complex contrast, dynamic composition, by Zdzislaw Beksinski and pawel Kuczynski and Joan Miro
festered in a septic void, for I am entropy incarnate And I will haunt the face of time, Surreal horror style by Zdzislaw Beksinski and Squeak Carnwath, surreal horror art, twenty steps to lucid nightmares, night fever, unsettling, juxtaposition of the uncanny and the banal, solar eclipse backlight, cubism
Liminal lovecraftian Abominations, by Stephen Gammell and Don Hertzfeldt and Pejac, warm colors, stylish, unsettling horror art, vestiges of horror, dark shines war, guided by N(t)=N0​⋅e−kt
Style by Graham Sutherland and Santiago Caruso, surreal horror art, nightmare residues of a shining dark portal, orange and yellow hues, abstract shy unnatural paradox philosophical homunculi, unsettling, asymmetric abstractions, juxtaposition of the uncanny and banal, diagonal composition, sharp focus, smooth, never seen before art from beyond
Manifestation of the Alone Phobia, nightbreed cabal, abstract nightmare art, by Graham Sutherland and Duy Huynh and Beksinski, mind-bending color ink illustration; album cover art, dynamic composition, sinister oddball masterpiece, dynamic composition, complex contrast
rich pastel colors, vibrating in nightmare frequencies, Lovecraftian Koans and the arrival of an eastern menace, impressionism, impression oil painitng, by Zdzislaw Beksinski and Gabriel Pacheco, creepy, eerie, scary colors, opulent shadows, diagonal composition
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
malignantly useless, depicting a fear of being alone, Style by Pawel Kuczynski and Basquiat, surreal horror art, nightmarish, dynamic composition, dark color burn, based on the imagery of Zdzislaw Beksinski
Puppet banishment, Lovecraftian homage to madness, fear of being alone, warm colors, creepy eldritch aesthetic. By Dan Mahurin, by Zdzislaw Beksinski and Esau Andrews and Gabriel Pacheco, color ink illustration, creepy, eerie, scary colors, opulent shadows, by Rex Ray, inkwashed oil paint
Impressionism, Mad Puppet Dystopia, Lovecraftian language of madness, puppet strings grew taut, warm colors, creepy eldritch aesthetic. By Dan Mahurin, by Zdzislaw Beksinski and Hieronymus Bosch, color ink illustration, creepy, eerie, scary colors, opulent shadows, impressionism oil painting, symbolic art

© 2024 Stablecog, Inc.