Placeholder: painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it. painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.

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@Haraberget

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painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.

4 months ago

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Model

FLUX.1

Guidance Scale

7

Dimensions

1536 × 640

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painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.
Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.
master oil painting by Rembrandt, good afternoon bitch scary stone age vampire
Style: gritty 19th-century gothic photography mixed with Zdzisław Beksiński surrealism and Caravaggio chiaroscuro, tactile analog imperfections, muted tones, deep natural shadows, eerie realism, pinhole-camera softness, heavy vignetting, rugged irregular photographic border. Scene: a pale sickly vampire quietly cleaning a window in an old apartment, completely calm and domestic. Extremely detailed rough skin, dry porous texture, wrinkles, tiny flakes, visible veins, uneven natural imperfections
painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.
close up portrait painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.
master oil painting by Rembrandt, Zombie blues artist
A terrifying black-charred vampire quietly watering a collection of ordinary houseplants in a small, slightly cluttered apartment at midnight. The vampire looks ancient and horrifying, its entire body blackened and fire-scorched, cracked charcoal-like skin with faint ember-red glow deep inside the fissures, soot-covered hands, pale unnatural eyes, burned and tattered clothing, traces of ash resting on its shoulders. It holds a small green watering can with careful, gentle precision, completely a
close up portrait painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.
close up portrait painted by Rembrandt, Maya is standing in the doorway with one hand still on the handle. She looks surprised, but not frightened. The zombie is wearing an old brown coat with patches on the elbows. His shoes don't match. What's surprising is that he's carrying a bunch of wildflowers. One of them has slipped from his hand and landed upside down on the porch. The rain is falling everywhere except on the flowers. That's a little strange. The story doesn't mention it.
full figure man that has mouth moved down to his neck and he has no chin on a vampire bike inside glass coffin
pin hole cam, master oil painting by Rembrandt, realistic rendering of crazy dark skinhead angel alien scientist holding a holy neon glowing super power tube gensis vial
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