Placeholder: full monn reflections in big antique brocken mirror, mixed media portrayal blending Quentin Blake's whimsy with El Kazovszkij's dystopian surrealism, thryller and Raymond Swanland's dynamic artistry, encased in a quadratura-style frame reminiscent of Caldecott's narrative illustration, set against a dark fantasy and steampunk backdrop by Abigail Penner full monn reflections in big antique brocken mirror, mixed media portrayal blending Quentin Blake's whimsy with El Kazovszkij's dystopian surrealism, thryller and Raymond Swanland's dynamic artistry, encased in a quadratura-style frame reminiscent of Caldecott's narrative illustration, set against a dark fantasy and steampunk backdrop by Abigail Penner

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@Evila

Prompt

full monn reflections in big antique brocken mirror, mixed media portrayal blending Quentin Blake's whimsy with El Kazovszkij's dystopian surrealism, thryller and Raymond Swanland's dynamic artistry, encased in a quadratura-style frame reminiscent of Caldecott's narrative illustration, set against a dark fantasy and steampunk backdrop by Abigail Penner

(blurry), (soft focus), (low resolution), (bad lighting), (out of focus), (poor composition), (unflattering pose), ((flat expression)), (awkward angles), ((distorted features)), (overexposed), (underexposed), (bad shadows), ((badly retouched)), (poorly framed), (low-quality photography),

10 days ago

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Model

FLUX.1

Guidance Scale

13

Dimensions

832 × 1248

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full monn reflections in big antique brocken mirror, mixed media portrayal blending Quentin Blake's whimsy with El Kazovszkij's dystopian surrealism, thryller and Raymond Swanland's dynamic artistry, encased in a quadratura-style frame reminiscent of Caldecott's narrative illustration, set against a dark fantasy and steampunk backdrop by Abigail Penner
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It was a creepy, silent night. The dark shadows danced across the walls, and sky , and the full moon make heavily verticíl light in the room, a dark Silhouette stands in the evil fog, in the grey ruined room, the sleeping human heart ached with fear and sadness, for knows what waiting at the end
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full monn reflections in big antique brocken mirror, mixed media portrayal blending Quentin Blake's whimsy with El Kazovszkij's dystopian surrealism, thryller and Raymond Swanland's dynamic artistry, encased in a quadratura-style frame reminiscent of Caldecott's narrative illustration, set against a dark fantasy and steampunk backdrop by Abigail Penner
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full monn reflections in big antique brocken mirror, mixed media portrayal blending Quentin Blake's whimsy with El Kazovszkij's dystopian surrealism, thryller and Raymond Swanland's dynamic artistry, encased in a quadratura-style frame reminiscent of Caldecott's narrative illustration, set against a dark fantasy and steampunk backdrop by Abigail Penner
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